Working with Wax

 

A talk by Martyn and Cheryl Cracknell of Bishampton, Worcestershire

 

Date:                                      Thursday 24 November 2005

Venue:                                  Church Rooms, Stow on the Wold

Notes for www.ncbka.org.uk:            Jeremy Voaden

 

At the outset, Martyn explained how he was going to “start at the beekeeping end” and talk about the saving of, and preparation of wax, moving on to what you can do with it. He will then hand over to Cheryl who will talk to us about candles.

 

Wax production and bees

Wax is produced from 8 glands which lie on the underside of the bee in four pairs. An oily fluid is secreted to produce little white flakes which are very similar in appearance to flakes of dandruff: the same size and transparency. The wax is produced automatically by clustering bees. There is a strong correlation between production and flows of nectar. This is one reason why, when you hive a swarm, you should feed them a little.

 

It is an energy-rich material. In terms of energy used to produce it, 6lbs of honey are “burned” by bees to produce 1lb of wax. Some interpret this to mean that if you stop wax production, then you will increase your honey harvest. This is not proven! Bees can’t just “turn off the wax tap”. They will continue to produce it and if they produce more than they need, then it falls to the floor of the hive. If we harvest this and melt it, it is absolutely white.

 

However, comb wax is yellow so something is added to it. This is the yellow flavenoids found in propolis and pollen. The yellow in pollen is oily and hard to remove. If you brush against the stamen of Lillies then you will know this!

 

Harvesting and rendering wax

We tend not to harvest wax comb unless your bees are in an area of rape when you have to cut out the wax to remove the honey.

 

Otherwise, we collect the cappings at the point of extraction. Residual honey is removed through a variety of methods. The wax is then rendered into a block by heating. Often this wax is really dirty, tainted by bits of bee and propolis. So how do we separate out the junk? We use a Solar Wax Extractor and collect the clean wax. The sun melts the dirty wax which runs down over a weir which functions as a liquid settlement tank and so only the clear quality end product flows into the final container.

 

If it is really old, black brood frames that we want to render, this is more challenging because a high % of that comb is not wax at all. With every generation of larvae hatched, then a silky lining which is the accumulation of the last larval moult that was in the cavity is there. In addition, only after the final larval moult is the single larval voiding which accumulates in the base of the cell.

Then the young bees come in and varnish over it. So the old comb is really an accumulation of voiding and larval moult.

If you insist on trying to process this old comb, you need something to break up the contents. Soak the comb in fresh rainwater and leave to process for about 3 weeks, bubbling away gently. It stinks! The scent of bacterial decay!

 

Indeed, as a general principle if you do ANY work with wax in water, use rainwater. Hard tap water reacts with the wax and produces scum.

 

Alternatively use the old dirty comb as a fire lighter!

 

What to do with the dirty wax?

1.      Make your own foundation

2.      Trade it in for other materials / foundation at Stoneleigh or directly with suppliers

3.      Emulsify into shoe or furniture polish. You will need almond oil, turpentine or rose oil for this. This emulsification improves the colour of the product.

 

Wax for the Show

If you want to make wax for show, you need to select the best wax that you can. Put the best aside and select the best cappings and white comb until you have enough pale primrose coloured wax to make a block.

 

You need to remove any junk by filtering when hot (70 degrees celsius). Use a metal sieve. In that sieve, place a piece of non-fluffy cotton. The dross accumulates in the cotton then you can peel it out. Bernard Diaper (Warwickshire Beekeepers Association) recommends using a nappy liner. Whatever, you need a fabric that is fine, thin and non-fluffy. Pour wax into cotton placed in sieve suspended over an oven-proof jug then place in an oven at 70-75 degrees celsius. Leave it to settle at just above melting point for 30 minutes to allow heavy particles to sink. Place on a cold surface to allow the particles at the bottom to solidify then pour out into another filter into a clean container. This is the basis of a good sample.

 

When cold, in this initial rough casting, tip out and turn over and cut out any hairs, particles, dirt and get rid of them. Then, in a really clean jug, re-melt. You need a perfect mould to pour it into. It has to be a pristine surface in the bowl whilst the lean wax is melting in the jug. Keep it covered. Meanwhile, put the oven on and pre-heat to c.100 degrees celsius. Boil a kettle and put the boiling water in a container in the over. The final mould dish can sit inside this container. The clean, purified wax is poured from the wax jug into the mould.

 

Make sure you have checked the Show Schedule and you have poured in the correct amount.  

 

When the wax is poured into the mould sitting in the hot water, cover it and put it in the oven and leave it. Go to bed! Don’t check it! You’ll get ripple marks.

 

To remove wax from the mould, put it in the freezer and after several hours it will fall out. The product needs to be clean and flat (no fluting-this indicates it has cooled down too quickly). There is a great debate over whether to polish or not.

It all depends on the judge. Never polish when the wax has any warmth in it, it will remain tacky and sticky. Use the palm of your hand having washed and dried them completely to polish.

 

Candles

The best moulds for candles are glass ones. Beeswax is sticky and it will stick to moulds.  With a glass mould, you can put it in the freezer to remove it. A gooq quality wick is important. It is sold in a size appropriate to the diameter of the candle you are making. I.e. The size of the wick should match the diameter of the candle.

 

Alternatively you can use a rubber mould as these are also easy to remove. Peel the mould back. To stop the mould sticking as you peel it back, rub the outside of the mould with washing up liquid. This facilitates the peeling. The disadvantage with rubber moulds is that they perish and stretch. You need the wax at 75 degrees celsius maximum. Use a toffee thermometer to monitor this. Any more than this temperature and the mould perishes. With rigid moulds, the optimum temperature is 80-85 degrees celsius.

 

Traditional liturgical candles for Churches are 25% beeswax and 75% paraffin wax. Cheap candles are now only 10% beeswax. The ones sold in shops as “altar candles” have no beeswax at all.

 

The advantage of beeswax is the lustre and brightness of the flame as well as the aroma.

 

With metal moulds, just tap out the wax or pull out the candle by the wick.

 

Don’t recommend plastic moulds as these tend to stick.

 

Making candles

The commonest wax is paraffin wax. This is the basic ingredient of candles and you add other things to that depending on the candle you want to make. Paraffin wax is like the flour in a cake. The basic ingredient. If making candles in a plastic mould, add 10% Stearin Wax. Why?

1.      It makes the candle look better-more solid!

2.      It is an acid base. It reacts with the chemicals in dyes to produce lovely bright colours.

3.      It lengthens the burn time.

4.      The helps to remove the candle from the mould.

You cannot use Stearin Wax in the flexible moulds e.g. Ribber. Use at least 1% of Vybar in this case.

 

To add colour, use Dye Discs. 1 Disc will colour 2 kilos of paraffin wax.

 

Perfume can be added-use essential oils. However, due to its’ lovely natural scent one wouldn’t want to use perfume in beeswax candles.

 

A useful supplier of Stearin, Vybar, Dye Discs etc is:

Hobby Craft

Handicraft House

Notley Road

Braintree

Essex

CM7 1GB

Tel: 01376-347000

 

It is possible to make candles without using moulds. Get a bowl of wax and whisk the hot wax like a meringue. When it is like a meringue and soft, you can shape it and work it. Can shape warm wax with your hand then ornament it with the “meringue” and sculpt.

 

Beeswax (from a handout by Cheryl Cracknell)

“Beeswax has special qualities. It burns with a clear, bright light and pleasant perfume. In Medieval times it was reserved for use in Church or the very rich.

Beeswax is a very soft wax and melts at a much lower temperature than paraffin wax. It burns slowly with a clear bright light and has its own perfume. It is sticky to handle at room temperature and consequently is difficult to remove from the mould, so is not very suitable for moulded candles on its own. However, 10% added to paraffin wax will improve the burning time and brightness of the flame of any candle. It also gives a creamy, natural look to an uncoloured candle. Church candles have to have at least 10% of beeswax in them, and the more expensive have 25%. Hand-rolled beeswax candles made from the thin sheets available are easy and quick to make and are 100% beeswax.”

 

How to make a rolled beeswax candle (from a handout by Cheryl Cracknell)

“ 1. Take a sheet of beeswax foundation, and make a sloping cut across it. The shape of the finished candle depends on the angle of the cut.

A very shallow angle right across the top edge from one corner to about ½” down on the opposite side will give you a traditional candle shape, with a pointed top and straight sides.

A much steeper angle from one corner to the other diagonally opposite will result in a spiral shape to your candle.

 

2. Cut a piece of wick to size. It should be about 1-inch longer than the wax sheet.

 

3.      Dip the wick in melted wax to prime it. If you don’t do this, you will have

difficulty lighting it.

 

4.      Lay the wick along the edge of the wax sheet and pinch the wax round it. Try

to make it go round rather than just folding it over flat.

 

5.      Roll the wick with the flat of the hand, holding the sheet with the other hand

so that it doesn’t slip away from you. If necessary on a cold day you may have to warm the wax slightly e.g. With a hairdryer. Do not overheat as this will melt the wax.

 

6.      Don’t press down too much and try to keep the bottom edge level. If you go

wrong you can usually unroll and start again.”

 

Thank-you to Martyn and Cheryl for a fascinating and fun evening. For futher details, contact:   

Martyn and Cheryl Cracknell

Honeylands

Abberton Road

Bishampton

Worcestershire

England.